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Saturday 20.06 Masseria Del Turco
The black madonna politics meets one of the best tecno showcase Perc Trax vs PoleGroup with Perc and Kwartz. This fresh showcase is based on the underground techno sound both labels have been representing during the years. Apart from that, both labels will be exchanging artists for future releases on both labels. The first serie to come will be released on PoleGroup and Perc Trax beginning 2013 with 2 artists of each label on each EP.
Perc [ Perc Trax - CLR ]
Perc is one of electronic dance music’s reference points: an internationally touring DJ, label owner and one of the most respected producers in techno today. Known as one of the most forward-thinking individuals in techno Perc (aka London based Ali Wells) fuses current sounds with his extensive knowledge of electronic music’s past to create something new & unique. A regular artist on such scene-leading labels as CLR, Kompakt, Drumcode, Stroboscopic Artefacts and Ovum as well as his own world-reknown Perc Trax imprint, Perc is as uncompromising as he is unique.
Kwartz [Polegroup]
Kwartz is a DJ and producer from Madrid who started his career in the world of techno in 2011, when he started creating his first characteristic productions: hypnotic, dark and enveloping.
That same year he published his first EP with Main Concept and, since then, a multitude of his works have been released by labels such as Shapeless Records, Sonntag Morgen or ATT Series, amongst others. These have been favourably received by the public and have enjoyed worldwide support by some of the top techno artists.
The Black Madonna [Stripped & Chewed - Chicago - USA]
Marea Stamper is a pillar of Chicago's club scene and an increasingly popular DJ in Europe especially in clubs like PANORAMA BAR, ROBERT JHONSON, COCRETE and many more.. Then there's her position as the talent buyer at Chicago's Smart Bar, one of the best clubs in North America.Of her philosophy she said, “Dance music needs riot grrrls. Dance music needs Patti Smith. It needs DJ Sprinkles. Dance music needs some discomfort with its euphoria. Dance music needs salt in its wounds. Dance music needs women over the age of 40. Dance needs breastfeeding DJs trying to get their kids to sleep before they have to play. Dance needs cranky queers and teenagers who are really tired of this shit. Dance music needs writers and critics and academics and historians. Dance music needs poor people and people who don't have the right shoes to get into the club. Dance music needs shirts without collars. Dance music needs people who struggled all week. Dance music needs people that had to come before midnight because they couldn't afford full admission. Dance music does not need more of the status quo.”