sto qui
Wednesday 07 December 2016
Reset Club - ] Otherside [ - MANIA presents
â—â—â—â—â—â— Kevin Saunderson â—â—â—â—â—â—
â—â—â—â—â—â—â—â— Nastia â—â—â—â—â—â—â—â—
â— regular dj’s: Moderate Kingdom - Beatz To Play
â— Sound system: MARTIN AUDIO
â– TICKETS :
â— EARLY BIRD TICKET (BRACCIALE SALTAFILA) €15
â— TICKET AT DOOR € ON LIST BEFORE 2.00 A.M.
â— TICKET AT DOOR € ON LIST AFTER 2.00 A.M.
â– VIP AREA:
â— 2 KIT BASE+ 10 TICKET
â— 2 KIT PREMIUM+12 TICKET
â— INFO:
â— +39 3474205815
â— +39 3498624290
â— +39 3465443344
â– KEVIN SAUNDEROSN (Us/ Kms)
Platinum-selling recording artist, label boss, festival promoter, true innovator in the pantheon of popular music, cultural champion, cracking DJ: there’s a lot to be said about Kevin Saunderson.
His influence runs deep, through both adopted hometown of Detroit, and music culture as a whole: as one of the Belleville Three, the high school trio which also includes Juan Atkins and Derrick May, he irreparably changed the face of electronic music; with Inner City, he gave it some of its most memorable tunes.
The genesis of today’s enormous techno scene can be retraced straight to Kevin, Derrick and Juan, as their formative experiments on rudimentary hardware sketched a blueprint for a genre that was yet to exist. By absorbing Kraftwerk, cutting-edge funk, local radio stalwart The Electrifying Mojo’s electicism, and all manner of new synthesiser and drum machine-led pop music, the Belleville Three broke new ground as musicians and DJs in the 80s.
Saunderson’s comparatively late start as a producer – kicking off in ’87 under the moniker of Kreem, with E-Dancer and Reese two of the more well-known names to follow – inadvertently gifted him a headstart. With the eruption of house music a few hours down the I-94 in Chicago, Saunderson married Detroit’s raw sound to more tactile, pop-leaning sensibilities. Inner City was born, and global success followed.
Between “Big Fun”, “Good Life”, debut album Paradise and a number of follow-up singles, Inner City (Saunderson and vocalist Paris Grey) amassed 12 UK top 40 hits and over six million records sold worldwide during their peak. A dancefloor-dominating remix by Luciano in 2008, and a globetrotting reunion tour in 2012, underscores the longevity of Inner City’s classic sound.
His nickname of ‘The Elevator’ is apt: for his role in transporting Detroit’s new sound to a wider audience; as anyone who has seen him perform live can attest, his high-energy, high-spirit and high-impact DJ sets; and for spending the past 35 years of his life progressing the culture he helped create.
Operating in tandem to his golden run as a producer in the late 80s and early 90s, Saunderson’s own KMS record label – a remarkable 30 years strong in 2017 – has chronicled the early footsteps of R-Tyme, Blake Baxter, MK, Chez Damier, Derrick Carter, Bicep and even Saunderson’s son and regular DJ partner Dantiez more recently.
A special 12” series in 2008 called History Elevate, released in tandem with fellow polymath Carl Craig’s Planet E label, brought contemporary names like Mathew Jonson, Simian Mobile Disco and Loco Dice into the fold, proving his nous for fostering relationships with each new wave to come through techno’s gates. 25th anniversary compilations and numerous reissues have followed suit.
Saunderson has a behind-the-scenes role to play, too: he is intertwined with the history of Detroit’s flagship Movement (formerly Detroit Electronic Music Festival / Fuse-In). Having produced the event in the mid-2000s, the last handful of years have seen repeated invites from Movement to display his ORIGINS showcase at the festival, bringing acts like Delano Smith, Phuture and DJ Minx under his curatorial umbrella.
And of course, with a stacked international touring schedule over the decades, playing in nearly every country and at nearly every festival or club worth mention, he has not stopped pushing the feeling of techno on and on.
The Groove That Won’t Stop, indeed.
â– Nastia ( Propaganda Rec)
Already one of the best-known eastern European techno/house DJs, Nastia’s star is firmly in the ascendancy globally. Her style is to an extent adaptable but she has a sound that is unmistakably her own. The last three years have been a whirlwind of gigs for Nastia. Her twilight techno, melancholic minimal, stripped-down ghetto funk and sustained house have been wowing crowds all around the world. She’s recently signed to the prestigious agency Bullitt DJ so her travellings are going to be even further afield every week.
Nastia Topolskaia started going to clubs when she was just 13 years-old. “I am originally from a small village in Ukraine of just 1000 people,” she says. “Every weekend I took a bus to the nearest big city and I realized that I really liked clubs and parties!”
She started DJing in 2005 and in summer 2006 ended up playing at the legendary KaZantip music festival which made her name famous. “It was the first serious music event in my life”- she smiles.
Nastia quickly won the hearts of Kazantip people having become the most popular Dj of Z-republic. Being the manager of Kiss Fm stage she did all the bookings and events. She’s had a regular radio-show PROPAGANDA on popular ukrainian radio station Kiss Fm Ukraine for more than five years. Here she plays impeccably mixed live sets playing tracks from fresh and noteworthy releases. Besides she bravely experiments with electronica, ambient and drum'n'bass styles on air.
Also Nastia works on new “He & She” project which told the world about itself with the first release on the label Musik Gewinnt Freunde with Kollektive Turmstrasse’s remix. “He & She” is the result of collaboration with Alexander Pavlenko (Sunchase). “I knew Alex as the best electronic sound producer in Ukraine, and I offered him to work together.” - says Nastia. “As “He & She” we create deep and tuneful music. I am the best from my side, he is the best from his side, so we’re just a perfect team.”
Nastia has been able to combine production process with dj-gigs. One place she always comes back to is Arma17 – Russia’s coolest club – where she is a resident DJ. “Arma17 is a VERY special place,” she grins. “For me, it is the only place which I can call my ‘second home’.” She sings the praises of the Arma17 crew, their nightlife vision, their after-parties, and their often experimental or risky music programming.
Addicted to the energy she gets from DJing and all-time travelling, Nastia says she ultimately strives for visiting every country in the world with her music. “I want to play music as much as I can,” she says, “sharing my energy and music taste with people.”
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